The denominated Athens of Cuba in the XIX century, it is view this time from the plastic arts.

This is a city that stays in foot with the step of the time. With constructions that have become symbols in Cuba, it is reflected this time through the codes of the painting.

Sensations, perceptions and mysteries of a completely well-known urban landscape for some or strangers for others constitute some of the particularities of these artistic proposals of Artecru.

In these creations, the Cuban city stops to become an immobile element to arise as an entity full with life; from a point referential, with patterns and styles determined by each painter.

It is not an imitation of a world or surrounding reality but an approach and a communication way with the spectator through determined icons.

Continuity of the Rivers in art salon

The event is based on the synergy generated by the Intermittent Rivers project.

Yunier Tamayo Sánchez: auto – deconstruction

12 pieces of medium and great format, in those that the author uses his habitual mixed technique on canvas

Lorenzo Padilla: “I do not imitate anyone, I am inspired”

Considered as an important representative of twentieth-century Cuban painting, the creator returns to his hometown.

Visual speeches from various points of view

The worldview of contemporary creators in the same artistic community.

Points of views from a creative community

Contemporary creators come together in the same exhibition space.

Dorian Agüero Anaya: satirical discourse in social spaces

He offers a panorama of the surrounding world with a strong load of irony.

Human sensitivity in a woman’s face

Artist resorts to figuration to express her visual concerns.

Heirs of Hatuey in Iberian lands

Cuban creators offer their visual speeches in one space.

Enough, I try to see you

Young creator represents to the Cuban contemporary art in Spain.

Carlos Artime: when the love born in the time

Two of their most recent works can be appreciated in Europe.

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