Creator demonstrates his relationship with nature through the visual arts.

The plastic artist José J. Hidalgo Barquín exhibits with the creators Rainer Pantoja, Manuel Vidal, Byrom Coto, Lisbet Ballart, Alfredo Galán and Danelys Gallego in the “Huellas” studio, located in Calle 19th # 1258 / 20th and 22th, Vedado, Havana, Cuba.

The collective exhibition was inaugurated last Thursday, March 22th, in the opening of the Casiguaguas River Festival, and will remain open to the public for a month.

For the occasion, DJ Sam and the Horns to Havana project were invited. Through art, we try to make the public aware of the rivers and the impact of the human being on ecosystems and especially those affectations suffered by Almendares and its tributaries.

Part of their creations can be admired in Artecru, in the undoubtedly a deep relationship with nature is observed.

Continuity of the Rivers in art salon

The event is based on the synergy generated by the Intermittent Rivers project.

Yunier Tamayo Sánchez: auto – deconstruction

12 pieces of medium and great format, in those that the author uses his habitual mixed technique on canvas

Lorenzo Padilla: “I do not imitate anyone, I am inspired”

Considered as an important representative of twentieth-century Cuban painting, the creator returns to his hometown.

Visual speeches from various points of view

The worldview of contemporary creators in the same artistic community.

Points of views from a creative community

Contemporary creators come together in the same exhibition space.

Dorian Agüero Anaya: satirical discourse in social spaces

He offers a panorama of the surrounding world with a strong load of irony.

Human sensitivity in a woman’s face

Artist resorts to figuration to express her visual concerns.

Heirs of Hatuey in Iberian lands

Cuban creators offer their visual speeches in one space.

Enough, I try to see you

Young creator represents to the Cuban contemporary art in Spain.

Carlos Artime: when the love born in the time

Two of their most recent works can be appreciated in Europe.

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